Made to cash in on the successful British TV series, Upstairs Downstairs, this 1976 British sex comedy tells the story of the Cockshute family, whose fortune is dwindling so much that they have had to get rid of the family jewels (“the glories of our past are now paste“) and are at risk of being evicted until obnoxious Snotty Shutteworth (the fabulous Willie Rushton) comes up with a plan – allow him to move in, and they can all stay. This suits the family fine, despite some reservations that it may upset their rather unusual routine. The servants, headed by butler Hampton (Neil Hallett, Virgin Witch, Groupie Girl, Can You Keep It Up For A Week?) seem to be up to all sorts of shenanigans with the masters.
The youngest of the bunch, Peregrine (Jack Wild, the Artful Dodger from the musical version of Oliver!) is more interested in inventing down in the basement and even spurns the advances of his sex mad step-mum, played by the glorious Sue Longhurst. They come up with a plan to marry him into some rich family, and invite them around. Francis (John Blythe) and his wife Daisy (Diana Dors) who just so happens to be a former showgirl who Hampton recognises. With them all there, and the nuptials all but arranged, they come up with a better plan – steal their jewelry in the middle of night, but things go awry when the midnight liaisons start, but could Peregrine’s latest invention, a pliable rubber sheath be the key to a change in their fortunes?
Full of familiar faces, and shot on location at the grand Knebworth house, Keep It Up Downstairs is a fun, if not quite hilarious film. Some amusing double entendres and visual gags and some surprisingly good acting. A cut above the usual 70s fare, largely down to the period costumes and the impressive cast.
Also appearing are Carmen Silvera (‘Allo ‘Allo), Aimi MacDonald (Vampira), who sadly keeps her clothes on, and some of those “I know their face” actors, Julian Orchard (Carry On Henry) April Olrich (The Skull) and Peter Halliday (Virgin Witch, Madhouse). It benefits from a great script by Hazel Adair, who also wrote (under the name Klaus Vogel) Brit horror Virgin Witch as well as co-producing it and Can You Keep It Up For A Week? Using her real name was a considered brave, as of course, women don’t and can’t think of any saucy or sexual. The director was none other than Robert Young, who had made the brilliant Vampire Circus for Hammer and went on to make the classic House of Horror TV episode, Charley Boy as well as the rather awful A Fish Called Wanda sequel, Fierce Creatures. He directs the romp well, the late night farce moments especially, making it far easier to watch than some of the genre, although reports from the set were that the actors had no idea what was going on from one day to the next! The film has disappeared from view, however. A late night screening on Channel 5 in the UK or second hand copies of the old VHS being the only chance to catch it, which is a shame as it’s certainly better than a lot of the films that were re-issued in the “saucy 70s” DVD boom.
7 out of 10
UPDATE:
The NETWORK DVD release has now been released, and I’m happy to report that, like their recent releases of The House In Nightmare Park, Spanish Fly and Konga, the results are brilliant. Transferred from the original elements, and presented in both it’s theatrical ratio (1:66:1) and as-filmed 4:3, the film looks stunning, especially after having to put up with a dodgy VHS transfer previously. Although There was one scene (the first scene with Willie Rushton) which demonstrated a strange colour fluctuation, nothing too annoying – but noticeable. The film still holds up as a saucy postcard type comedy, helped by it’s brilliant cast, especially Sue Longhurst (why she is not billed higher I don’t know). A highly recommended release of a film from a time when British cinema had a sense of humour. DVD: 8 outof 10
